Born in 1964 in Tarpa, Hungary, Saxon Szász János is an artist who defies easy classification, working at the intersection of art, mathematics, and philosophy. Trained from secondary school under constructivists Tibor Csiky and János Fajó, and later shaped by the influence of Carmelo Arden Quin — founder of the international MADI movement — and Kazimir Malevich, he has spent over fifty years developing an abstract and geometric body of work of rare coherence.

At the heart of his practice lies the concept of the Poly-Universe: a visual system based on flat structures at variable scales, which art historian Géza Perneczky has likened to fractal geometry — though Saxon developed it entirely independently, through the observation of nature. His densified wood sculptures — oil-painted in a palette dominated by yellow, white, and black — explore the passage from painting to object, from plane to space, from the visible to the invisible. Yellow embodies the vitality of the physical world, white transcendence, and void the reality beyond matter.

A member of the Széchenyi Academy of Sciences since 2016 and a multiple recipient of the Pollock-Krasner Award, Saxon is also a tireless cultural connector: co-founder of artistic movements, editor of international journals, organiser of hundreds of exhibitions worldwide, and founder of the Mobile MADI Museum in Vác, which brings together five hundred works by artists from sixteen countries.