“In search of order and clarity, SATORU cultivates the stripping of surfaces, the exactitude of rendering, the alternating concision of ratios and proportions, the exchanges between pictorial matter and woody elements, according to an approach that is both codified and spiritual, a reflection of his thousand-year-old culture, on the fringes of any misguidance of the hand. If nothing is too much in these ordinarily formal perimeters, there is an inner drive mixed with humanity, which reveals a geometry of emotions.”

(Extract from a text by Gérard Xuriguera, critic and art historian, published in 2013)

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